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 Predators (Nimród Antal, 2010) 
 
 The first act of 
Predators attempts to build a mystery about the nature of the characters’ 
situation. Were it not for the audience’s knowledge that the film is an entry in 
the Predator franchise, Antal’s 
slow-build approach (similar to that he used to more effective ends in
Vacancy) might have really worked, 
but as it is structured, much of the first half of the movie is spent with the 
audience well ahead of the characters. The level of suspense in this section 
suffers somewhat even though Antal does an excellent job gradually doling out 
information. Before long, it is revealed that the cast of eight characters has 
been transported into a game preserve, of sorts, where they are expected to 
serve as prey to an alien race bent on improving its hunting skills.
 While leading man Adrian Brody’s time spent fighting the 
predator mano-a-mano in Predators is 
disappointingly limited in comparison to the first, Schwarzenegger-starring film 
(the hunt never becomes a game of cat-and-mouse), this entry as a whole compares 
favorably with the McTiernan cult classic that spawned the series. Antal paces 
his story effectively, and films his action sequences so that there is rarely 
any confusion about what is taking place. The series of set pieces slowly builds 
in scale and intensity, climaxing with a satisfying, open-ended conclusion. By 
its nature, Predators is not an 
original film, but as fourth sequels go, it’s almost exceptionally well-handled. 
What it lacks in imagination, it makes up in execution. It fulfills its limited 
potential, which is more than can be said of most of this summer’s movies.  58 Jeremy Heilman 07.11.10 
 
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